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Hardwick Art & Magic Musings
Hardwick Art & Magic Musings
|Posted on August 13, 2013 at 9:31 PM||comments (0)|
Day Two was presented at a time that is foreign to most theatre people, the morning of August 11, 2013 at the Lucie Stern Theatre in Palo Alto. Nine playwrights were showcased.
Aimee Suzara - is a published poet as well as playwright. She presented a commissioned work in progress, A History of the Body, which was a discussion of the benefits and pitfalls of physical alterations. www.aimeesuzara.net
Ignacio Zulueta - I performed with Iggy last year in Brecht/Weill's Happy End. I, also, participated in a program, Repro Rights, that included one of his short plays, Snip Snip, about a vasectomy. In his interview he opined that the thrill he gets from writing is seeing the different ways in which that writing can be interpreted and presented. He shared a scene from Cano & Abe, a discussion between old friends about why one would risk going AWOL before closing out a third tour of duty in Iraq.
Garret Groenveld - another poet and prolific playwright. He presented a selection from his two-character play, The Hummingbirds, a winner of the Internationalists Global Playwriting Prize with has been performed in six countries and four languages.
JC Samuels - is a screenwriter & producer, as well as an award-winning playwright. She shares her love of writing with other like-minded souls by producing film and theatre festivals. She presented a scene from Ashtad and Dardanos, which has had local and national readings.
Patricia Milton - has maintained local roots with her playwriting but has managed to spread their influence nationwide via publication and presentation. She also maintains a presence in several playwriting organizations. She presented a startling selection from Moments of Truth.
Min Kahng - a prodigious actor/musician/director in the East Bay, discovered writing and composing through his work with Bay Area Children's Theatre. He presented music and scenes from his musical adaptation, Where the Mountain Meets the Moon. His musical, The Song of the Nightingale, will soon have its premiere at Altarena Playhouse. www.minkahng.com.
Anne Dimock - an author and librettist from Minnesota and Hawaii has opted to use the moderate climes of the Bay Area to influence her work, which includes creating strong roles for women. She gave us a modern take on the Cyrano story by giving Roxanne the enlarged protuberance at the other end of the anatomy in roxanne.com. She gave us new ways to refer to big-bottomed women.
Susan Sobeloff - is another contributor to the Olympians Festival and several other Bay Area festivals. She read from her historical play, The Suffrage Play, which will have a staged reading August 22-23 at Custom Made Theatre in San Francisco.
Elizabeth Gjelten - was our final poet of the two-day event and admitted to coming into writing relatively late in life, at the ripe old age of 36. She brought a delightful reading of her play, The Pastor's Wife, with the title character appearing in the last place you would expect, a prison.
In Hollywood, sequels and retreads seem to be the norm, as if all the creative pools for our entertainment have dried out. Here, in the San Francisco Bay Area, by the sampling of these 19 artists, there is, indeed, a great body yet to be fished in. As a musician as well as an actor, I have marveled how composers continue to mine new musical phrases from a finite palette of notes.
The Bay Area has shown itself to be a tremendous source for new and diverse theatrical works. I'm proud to be a part of Theatre Bay Area, an organization that encourages and promotes theatre amateurs to think professionally, and theatre professionals to embrace and nurture the whole of the craft.
|Posted on August 12, 2013 at 9:41 PM||comments (0)|
Theatre Bay Area has been leading the charge in developing mentorship programs to help theatre artists learn the business of their craft. The ATLAS program has previously provided this guidance for actors and directors. 2013 has added a new track to the list with ATLAS for Playwrights. The success of the program has reached national attention as Theatre Bay Area has been approached to provide their model to similar entities across the country.
Artists who have previously participated in the program have noted that, though there is a potential to share in some immediate financial rewards from the program itself, the real benefits are the long-term ones they receive from their newly-developed business skills.
ATLAS Playwrights Showcase
As part of the program, the playwrights were offered an opportunity to put themselves on public display before an invited audience of fellow artists, who in turn provided simple feedback. TBA's Executive Director, Brad Erickson, interviewed each participant to help the auditors gain additional insight into what propels each writer than what was provided in their bios. They then set-up and presented a snippet from either a work-in-progress or a piece that has already seen stage time.
This first program was divided into two events, each as part of the Bay Area Playwrights Festival in San Francisco and the TheatreWorks New Works Festival in Palo Alto.
Bay Area Playwrights Festival
This first evening of presentations was held the evening of July 24, 2013 at the Thick House in San Francisco. Ten playwrights were showcased.
Cassie Angley - has brought her craft to the Bay Area via New York City. She presented a selection from her one-woman show Finding the Michaels. She will be presenting part of another play in development, Split Chicks, at The Marsh in October. Check www.findingthemichaels.com for more info.
Jonathan Spector - is co-artistic director for Just Theater in Berkeley. I had previously seen one of his directorial efforts with that company at the Berkeley City Club, Jason Grote's 1001. He presented a scene from a web series (podcast) as an unusual touch titled The World to Come.
Marissa Skudlarek - has seen productions of her many full length and short plays. She is a regular contributor to the San Francisco Olympians Festival and the Theatre Pub, to the latter of which she also contributes a blog at marissabidilla.blogspot.com. Theatre Pub offers short plays, all of which are site-specific to the locale, which is a San Francisco watering hole. Marissa read from one of those contributions, Beer Theory.
Paul Heller - uses his extensive world travel to present cultures he has experienced to American audiences. He presented an intriguing portrait of an American working in a Mexican Orphanage in Scavengers.
Roberta D'Alois - is also a contributor to the Olympians Festival as well as a teacher at SFSU. Her plays focus on stories of mental illness. Her presentation was in 2 parts: Pashto Dreams about priest who is ignited to go to Afghanistan about destroyed Buddhas and a monologue, The Rustic Melody.
Vickie Siegel - presented two songs from her musical take on Shakespeare's The Comedy of Errors called A Hot Day in Ephesus. I had the good fortune of playing Aegeon in a production last year of that musical. I was hoping to hear something new from her but instead I got to contribute backing vocals on the Chains song.
Vonn Scott Bair - and I have worked together thanks to the Playwrights Center of SF. He was a contributor to last year's Repro Rights program, a fundraising tool for Planned Parenthood. Not only a prolific writer but actor in all media as well. He presented pieces from two unique theatreworks: Yes Maybe No (an interactive play) and The Possibility (a modular play.)
Martin Schwartz - has, admittedly, brought the most language-heavy and unsettling piece to the proceedings, a play that has seen stage time in San Francisco and Phoenix. TUTOR: enter the exclave was the type a show that required undivided attention.
Chas Belov - is another regular with Playwrights Center of SF and freely admits to an inability to refrain from humor in his writing. His contribution this evening was a take on racism in America through foreign eyes in My Visit to America.
Andrea Mock - presented an extremely animated scene from her play within a play about a dance version of Moby Dick being done in the Central Valley town of Porterville. The piece was titled, A Fish Without a Bicycle.
Next up: Day Two